From the novel The Good Earth Analyze Wang Lung Include his values, Essay

From the novel The Good Earth Analyze Wang Lung Include his values, what he loves, a chronology of the changes in his character - Essay Example The essay aims to analyse the moral character of Wang Lung in the novel. The essay examines the changes within his character throughout the novel and the chronology of changes in his thoughts and beliefs throughout the novel. The novel depicts Wang Lung as a poor, simple and hardworking farmer. He was born and raised in a small Chinese village. He was around twenty years of age at the beginning of the novel. He possesses great value for the Chinese traditions and gives considerable importance to duties to the family and filial piety. Wang held the belief that land brings happiness and wealth to the people and is great source of prosperity and richness. He was forced to marry a slave after which his life turned and he became owner of a land that made him wealthy patriarch. However, his success could be regarded as a mixed blessing because while achieving the piece of land, wealth and influence he lost his simplicity and values as found him unable to practice the norms calling for love for land and family. The novel shows the character of Wang marked with two important and contrary features. On one hand, he had great love for the land, traditions and family that allow him possessing good sense, work ethics, frugality and family love however, on the other hand, he had great desire for wealth and status in his heart and he want to get over his poverty and lo w social status. The novel depicts the change occurred within his moral and social status that brought several important changes in his life. As he got wealth and status, he lost his connection to the world and also found him unable to participate in the old traditions. These traditions were of great importance in his life and thus losing these values and norms was great setback for him and he experienced major transformation is his moral character. He used to give great value to the land and his live for earth keep his character on right track. Most of the part of the story shows him a person with true heart h aving great love for the earth however, his character was spoiled by his desire for land and status after which his moral character became a dark feature of his personality. In the end, he regret and decide to rebuilt his connection with the land but his desire for status was not over rather it was transferred to his sons and he saw in his old age that his sons were also making the same mistakes that he made in his life by breaking the connections with the land that actually has the tendency of providing wealth, happiness and status to the people. Wang was living a simple life as a countryman however when his father arrange bride for him he had to go to the town to bring her. He was afraid of facing the people in the town because he was a simple man living a simple life. He goes to the House of Hwang to collect his wife but he was not able to adequately behave with the wealthy people. He suffered from inferiority complex through he does not resent his low status but facing wealthy p eople made him highly conscious about his social status. This consciousness also compelled him committing certain acts against his nature and character. He was an honest person but he got involved in the stealing of wealth when he got chance to change his conditions. When it became difficult for him to manage livelihood for his family he moved towards south and tries to earn money carrying a rickshaw. During an incident he found that a rich house has been broken by mob where there was large amount of silver

Reflective journal as an appendix to the report of case study Essay

Reflective journal as an appendix to the report of case study - Essay Example d)., p. 32-37; Learning module 8: Using a reflective journal n. d., p. 1). Through writing an academic reflective journal, a student is able to monitor personal skills and experiences, which are necessary for academic development as well as growth in career development. Moreover, the reflective journal is effective in analyzing skills developed through academic practices such as the research studies. The case study analysis assignment have been very instrumental in practicing classroom learning outcomes in an academic exercise, I sought to carry out an analysis of human resource management practices within a manufacturing industry that has operation sites within various nations: a multinational. This therefore necessitated wide reading in existing literature on management practices as well as the effectiveness and efficiency of the company in the capacity of production. The case study involved collection of data from the respective company, analyzing and interpreting the findings of the study for possible recommendations to the company as well as for subsequent research studies. Data collection methods employed included the survey method by use of questionnaires as well as through interview methods. Besides employing qualitative analysis tools, the study adopted the quantitative methods for the findings analysis. The case study therefore required interplay of competencies in fields of data collection, literature review as well as in data analysis. Interpretation tools were also very necessary for the success and effectiveness of the research study case. I. Description: The course of the case study involved activities, which were prerequisite to the success of the study (Boss et al., 2007, p. 1-2). Moreover, besides reading while conducting the literature review, I collected analytical data through interviews as well as survey methods. I also carried out an analysis of the data collected through statistical quantitative methods and through qualitative deductive methods (Ortlipp, 2008, p. 695). The analysis also entailed critical thinking in utilizing statistical knowledge for interpreting and making deductions from the outcomes gotten. II. Interpretation: The main reason for carrying out the case study was as a requirement or part of testing curriculum, for the business course undertaken as part of my undergraduate studies. This case study became very important for learning outside classroom and for utilizing the skills learnt within the classroom context. I learnt new ways of conducting research studies as well as for studying. Online research skills were among the new insights that were acquired through the study. Moreover, designing questionnaires and conducting pretests and actual data collection were other skills that were developed besides the classroom experience in drafting questionnaires. This experience and learning insights became fundamental in complementing the classroom experience where it served as a practice session. The ex perience gave me a strong sense of competitiveness in carrying out research studies and incorporating the classroom experience for the corporate work. This research study affirmed my feelings in competitive learning through giving me a chance to exercise learnt skill for

The Handmaids Tale Essay Example for Free

The Handmaids Tale Essay She wonders if women everywhere get issued exactly the same sheets and curtains, which underlines the idea that the room is like a government ordered prison, government issue? Furthermore the regime continues as we see the main character starting to rebel against this isolation and confinement in which they wish to get rid of. Thinking can hurt your chances and I intend to last, implies that she is stubborn and determined. She also realises that most of the women who she is with are all lucky to be there seeing as not many always survived the prisoned lifestyle as she bitterly quotes, for those who still have circumstances. Apparently there are no mirrors also, indicating identity as a whole for the handmaids and getting rid of vanity which would be making them individuals. The uniform in which they must wear is red, the colour of blood which defines them again as a whole, not as a unique person. The door of the room, not my room again suggests her rebelling and refusal to conform. The outline of the portrayed regime is now that these women have almost no status, unwomen which is lower than low are showing small signs of rebelling and willingness to be free after living on only rational amounts. An example of this is the black market, where illegal and expensive goods were sold so the handmaid yearns for a cigarette but like liquor and coffee, cigarettes are forbidden, eventhough she hints that she might therefore she is fusing to conform to the rules again. The hierarchical triangle now lies that the Marthas who are infertile women who do not qualify for the high status of Wives work in domestic roles, followed by the new character in Chapter two and three which is the Commanders wife. She wears blue suggesting connotations of the Virgin Mary, holiness, purity and virginity as she works in the garden with a detailed Guardian at her side. The Guardian is used to help aswell as being a Guard which indicates that the Regime of where the handmaids lie is considerably low compared to the Commanders wife who has her own helper because she is too powerful to be doing jobs for herself, therefore she behaves cruelly towards the Handmaids in her household. The Commanders wife has arthritis therefore she is old yet able enough to have such control. She knits to pass her time, maybe is just something to keep them busy. The handmaid is envious of the Commanders wife because she has no hobby or purpose to pass time, What does she envy me? The Commanders wife also is evil as the handmaid quotes I am a reproach to her and a necessity, implying that she is avoided by her. The handmaid later reveals that she has only been there for 5 weeks indicating that the regime is new and things arent settled yet and that the women there are playing hierarchical roles already. The Commanders Wife however is very well looked after and implications of vanity are portrayed as her fingernail filed to gentle curving point. She wears diamond rings connoting wealth and her knuckly fingers suggest she is old and also that she is unhappy; fingernails mocking her. ironic smile. She is an elderly woman with blonde hair, her chin clenched like a fist, and gives the impression that she is sterned faced and hard featured. The handmaids are continuously being bought down so that no hopes are held high for them to gain any power, for example the Commanders wife quote to her, Youre not a Martha signifying that she is even lower than that. Throughout the first four chapters we see that internal monologue is expressed, where no speech marks are present during speech, this is probably because it is a stream of consciousness or to portray a memory. The underlying message that nature carries on regardless of human life is implied as human imagery such as, fertility of soil, referring to the creation of life. We then meet another Guardian, Nick who whilst washing the car is not conforming to the rules either, he is tanned with dark hairs representing he is more rebellious than the other Guardians and suggesting he is always outside. His hat is at an angle and also he has a cigarette. Therefore he is higher status than the handmaids and Marthas who cannot get them. He hasnt been issued a woman, not even one signifies that the regime throughout contains complete lack of sexual communication. The narrator explains that she is longing to touch Nick therefore she sees him as a man and then he winks. The fact that he has made eye contact is against the rules showing that not only do the handmaids long to escape freedom but also so do the Guardians. She suggests that perhaps he is an Eye, gives us the impression that she always knows she is at risk and to be aware of everyone because they may not truly be who they appear to be. This also relates to sudden disappearances of people that come and go very quickly, on a certain day she simply wasnt there anymore. The Guardians which guard the entrance are called The Guardians of Faith, signifying that they are in secret and undercover, also named Eyes incognito. When little communication is made between the handmaids and the Guardians all that can be transferred is eye contact and nothing more. The handmaid suggests this by, Such moments are possibilities, tiny peepholes. The handmaid constantly brings up the thought of this desired wish for freedom and individuality becoming true as she questions whether the guardians think about it too. She then proves a hierarchy point by involving all the groups of characters met so far, Commanders of the faithful, their blue wives and white veiled daughters. or their dumpy green Marthas, or their red handmaids, on foot. The narrator has purposely put them in order of their power status leaving herself last as she knows that if it were to happen, it wouldnt be the handmaids who are the lowest and own no power. The regime theme of torture and unhappiness is explored further when the black vans are mentioned which pass through the entrance and she says, if there are sounds coming from inside we try not to hear them. The black vans give the reader the idea of prisoners and people facing torture whilst being taken away. The handmaid lastly suggests that handmaids can be allotted to Angels for if they were to gain enough power so that they can marry, allotted a Handmaid of their own because she knows that if the regime was different and the orders were less demanding and if lack of freedom was restricted, then she could have her desire and so could the Angels and guardians. Overall if their positioning of status and importance were to change then the handmaids know that they wouldnt be kept and controlled in the same restricted and managed way and they would gain identity in order for themselves to have to freedom and privacy when they choose. Show preview only The above preview is unformatted text This student written piece of work is one of many that can be found in our GCSE Margaret Atwood section.

Strategy of international business pressures

Strategy of international business pressures The strategy of international business involves analysing the progression of globalization in the worlds economy and how a company responds and what measures it takes, strategy-wise to compete effectively beyond national borders. It involves business transactions crossing national borders at any stage of the transaction; it also involves dealing with many different cultures and extensive field experience. 2.1 GLOBAL EXPANSION There are many advantages for firms who expand globally which include increasing their profitability and higher growth of profits. Most basically it creates a larger market size. It allows firms to reduce their costs through differentiation. Global expansion helps realize location economies, recognize higher cost economies and earn a higher return by exploiting any valuable skills from foreign actions. 2.2 COMPETITIVE PRESSURES. The competition in the market place is not easy for the firms. Firms in the market place usually face two types of pressures. 2.2.1 PRESSURES FROM COST REDUCTION. One type of pressure is the one they receive due to pressures for cost reductions. In response to this companies try to lower the costs of their value production. Ways a firm may do this could include mass producing standardized products in a location where it is most optimal to do so and realize economies of scale and location and/or outsourcing certain functions of the job to foreign suppliers that cost less so as to reduce costs. Most companies face difficulties distinguishing commodities since differentiating non-price factors is complex. 2.2.2 PRESSURES FROM LOCAL RESPONSIVENESS. The second pressure they face is that from local responsiveness. Such pressures arise from varying differences in traditional practices, infrastructure and customers preferences and tastes. To respond to this, firms need to differentiate their products in each country to take into account all these factors. 2.3 CHOOSING A STRATEGY. Differences in the strength of pressures for cost reductions versus those for local responsiveness affect the firms choice of strategy. Firms typical choose among four main strategic positions when competing internationally. These can be characterized as a global standardization strategy, a localization strategy, a transnational strategy, and an international strategy. The appropriateness of each strategy varies given the extent of pressures for cost reductions and local responsiveness. 2.4 PROCTER GAMBLE. Procter Gamble was founded in 1837. It is one of the worlds most international companies. PG sells over 300 brands including tide pampers, Crisco and IAM pet food. Nowadays PG is a large global consumer product business that has sales of over $50 billion. Most of these sales are generated outside the United States in Canada, Britain, Western Europe, Japan and other Asian nations. These expansions led to growth opportunities, created value by transferring its business model to foreign countries and preempted other retailers that were also starting to expand globally. However the company started facing some issues and had to rethink their strategies of expanding globally. 4.0 PG REORGANIZATION. Procter Gamble, as observed were initially following an international strategy, which was possible since they had low pressures to reducing costs and low pressures on local responsiveness. However their costs were rising and in 1993, in response to the increase of costs, they initiated a major reorganization. During this they closed down thirty manufacturing plants worldwide and fired about 13000 employees. In addition to this they focused their production on lesser plants so that they could reach regional markets and achieve better economies of scale. It is apparent that PG are moving towards a global standardization strategy from their previous international strategy. 4.1 GLOBAL STANDARDIZATION STRATEGY. This strategy is appropriate if the cost reduction pressures are high but the pressure on local responsiveness stays low. Under this strategy the products are standardized worldwide. They undertake a low cost approach on an international basis. They rarely try to differentiate their product offering because often their costs increase when customization is undertaken. As a result of this strategy, PG reduced their costs by about $600 million but it still was not enough. Their profits were still not favorable and sales were slow as ever. 4.2 ORGANIZATION 2005. In 1998, PG tried yet again to control these increased pressures and embarked on its second reorganization. They named it Organization 2005. The company hoped to change the ways in which their products were being innovated, manufactured and marketed. The strategy consisted of modifying the structure of the organization, culture and work processes comprehensively. It including laying off 17000 employees within the next 3 years and it changed its organizations structure by breaking up their four geographic business units and focusing it on 7 global business units (GBUs). These units were derived according to product categories ranging from food products to baby care. Each unit was completely in charge for generating profits from their products and also their own marketing, production and product development. Their focus shifted to only few large plants, trying to build global brands where possible so as to remove differences in marketing among countries. It also intended to speed up th e developing and launching of new products. It is evident that PG is now moving towards a transnational strategy because they are faced with high pressures to cost reduction as well as high pressures to local responsiveness. The international and global standardization strategies failed to be effective since PG didnt take into account the falling barriers to trade and customers abilities to trade internationally and therefore increase in demand for variety of goods. 4.3 TRANSNATIONAL STRATEGY. A transnational strategy is one where companies try to keep their costs low while simultaneously differentiating the products they offer across national borders and fostering a flow of skills across different subsidiaries in their operations network worldwide. This strategy is difficult and involves the company in balancing the local markets demands for consumer products whilst concurrently aiming to save their costs. PGs seven units are called global business units, but function on a very decentralized way. They develop their strategies locally or regionally and implement them. In other words their product development, delivery and marketing are conducted locally whereas the background functions of finance, payroll and human resource management is carried out on a worldwide basis. 4.3.1 BENEFITS AND RISKS. There are many benefits for pursuing a transnational strategy. It enables firms to gain scale economies as well as location due to the increase in sales in global volume. It also helps transfer distinguishing competences and skills. The home country may hold many different competences and it is only right to share it with other countries as well. In addition it simultaneously lowers pressures on local responsiveness. However one risk they face is trying to differentiate the product to respond to local demands in different geographic markets raises costs, which run counter to the goal of reducing costs.

Liam McCormicks Church Architecture

Liam McCormicks Church Architecture Fig 1 Photograph: St Aengus, Burt ________________ Word Count: 2,439 Liam McCormick is one of the most recognised architects in modern Irish church architecture. He has introduced design principles in his buildings, which were not only innovative and unique, but were somewhat radical in Ireland at that time. One of the most famous churches that he designed was St. Aengus Church, Burt that was built over the period of 1964-67. When examining Liam McCormicks work at Burt we can see similarities between his ideologies and design principles that other famous architects have also employed in their architectural work. However, the question is, who and what helped inspire him? What are the ideas, materials and methods behind the overall design? All these questions culminate in the construction of this remarkable church. McCormick carefully selected a site, which lies directly below the ancient fort of Grianan an Aileach. The land itself stretches down to Lough Swilly below and benefits from the impressive views of the surrounding countryside. What I find most interesting is McCormicks distinct ability to read a site and produce remarkable buildings from that. This alone sets him apart from many of his Irish church architectural peers. It is obvious that when he designed Burt Church he had taken inspiration not only from other architects but also from the surrounding context in which the church integrates itself. With the site being located adjacent to the Grianan an Aileach fort, McCormick has taken the fundamentals from its historic design and implemented them within his modern church concept. By doing so he has blended historic precedent with the functional and aesthetic requirements of what he believes a modern church should have. There is no doubt that Grianan is the inspiration behind the circular form of the church at Burt. The idea of a circular church was radical and it had not been attempted in Ireland before.[1] With the church being integrated with the surrounding landscape, McCormick has ultimately made the church and the land at one with each other. This has a religious signification of the church being part of Gods Earth. This allows the feeling that the parishioners can be closer to their faith, or feel more at home within this type of church. McCormick himself commented on the church and how it integrated with the land and also the great attention to detail that was employed by all that worked on the building. It is not often that a building is found, such as the little country church, which speaks so clearly of the loving care which has been lavished on it by the architect, builder, client, artists, craftsmen and everyone connected with it. This is as perfect an example of integration with its magnificent site, as it is, probably possible to achieve.[2] McCormick has created a romantic relationship of form and material with the historic fort, which lies above Burt church. McCormick has sensitively merged the church into the site, by choosing to use natural stone for the walls and copper for the roof. In utilising these materials McCormick has helped blend the church into the ground in which it resides. The church has been cleverly designed so that you can approach it from both sides. There is a path from the car park directly opposite and gentle rising steps from the road below which congregate at a cobble edged circle outside the entrance to the church. In a way McCormick is using his design to symbolise bringing people together from all directions of life, something that both religion and the church have aimed to achieve. However, they might not have succeeded successfully in this venture. Fig 2 Photograph: Church approach from roadway  and car park. St Aengus, Burt. When you first approach the church you feel like you are setting foot into another world, or have simply stumbled on to some hobbits dwelling from Lord of the Rings. Though as you climb the steps you get a feeling that it is filled with delightful architectural moments, humble and honest in their appearance, but cleverly resolved in the craft of their creation. McCormick achieves a sense of arrival with this skilfully designed approach. His approach leads you to a concrete canopy where a pair of solid doors covered with beaten cooper with glazed side panels lie below. The low-ceilinged entrance lobby emphasises the height and size of the circular body of the church. McCormick has carefully thought through every little detail of this building and how each element will affect the appearance, feel and flow of the building to its recipients. The buildings circular plan has a clever second internal circular wall, which is placed loosely to the exterior; this in turn creates not only the circular external faà §ade but a circular internal layout disguising the auxiliary accommodation for the church, discretely from the congregation. Fig 3 Plan: St Aengus, Burt. The circular form of Burt means that there is no distinctive front or rear elevation; it also means there are no hidden external areas. Walking around the building reveals details that are both clever and subtle, and which contribute to the creation of a building that is at once vernacular and innovative. The external stonewall is constructed with a barrel like profile (inspired by Grianan an Aileach). A band of brightly coloured stained glass runs the entire circumference of the church on top of the inner circular wall. The outer circular stonewall carries the secondary glazing through which light penetrates the stained glass allowing the chapel to be flooded with coloured light that gives an almost kaleidoscopic effect. With the ring of glazing being positioned between the roof and the external walls there is an impression that the roof is floating, this is amplified during the hours of darkness when the lights are on. Similar to Le Corbusiers work at Ronchamp, although comparing the two would be like comparing Salisbury Cathedral to the Notre Dame. The sculpted copper roof is perhaps the most remarkable element of the building, which climaxes in an asymmetrically placed spire. The position of the spire is dictated by the location of the altar inside the church, the glazed lantern in the spire brings natural light down into the church over the altar resembling something out of a film. McCormick has purposely designed this in order to create dramatic effect within the church. The light from God so to speak, giving a very religious feel to the church. If the lantern had lit the entire church, the same effect wouldnt have been possible. This is also similar to Le Corbusiers design in Ronchamp. McCormick made the roof part of the overall composition, a piece of art in which to attract people. With the roof being visible for miles in the surrounding area, he created a roof, which took a sculptural form, with expression in material. Within the church there are a number of structural pillars placed throughout which a appear to be not in contact with the roof by making them thinner and darker at the top, this also makes the roof appear to float, as there are no lines linking the glass to the roof. To the exterior the metaphors continue, there are a number of pools strategically placed around the building to catch the rainwater from the roof that is distributed via concrete spouts placed above the stonewall. It is Christian belief that water is a blessing and with this in mind it is as if the church is being blessed when its raining. Which as many know is quite often in Ireland, some say we are born with webbed feet! This is yet another incorporation of religion within the overall design. Fig 4 Photograph: Detail of circular pool and  rainwater spout. St Aengus, Burt. McCormicks handling of rainwater demonstrates the thought process that went into making sure each detail was correct. He also took great care and consideration when selecting the materials to be used, he salvaged cobblestones locally to use for the perimeter of the church, which is paved with granite cobblestones. McCormick felt that his churches should be socially correct, that the church should reflect the society in which it was to serve both by means and nature. In other words, if the society was mainly lower class, there was no point in building a church that portrayed wealth that would make the societys congregation feel both uncomfortable and unwelcome, not to mention standing out like sore thumb from the surrounding area. McCormick carefully put forward an argument for modernism within the Irish Church architecture, he used authentic materials, which would be familiar to the community that the church would serve, and also suitable to the climate in which it was to withstand. He used modern structural techniques without becoming alien to the craftsmen employed to carry out the construction. After all, he wanted to create a piece of art and architectural beauty that was fitting to Donegal at that time, and in doing so he required excellent craftsmanship in order to achieve his masterpiece. McCormicks design of Burt demonstrates an enthusiasm to develop a modern church architecture appropriate to the Irish context. McCormicks masterly use of materials and high quality of workmanship, with the attention to detail evident in the construction of the building, are remarkable and were ground-breaking at the time. There is an essence from his designs that he draws extensively on things, which interest him outside of his architectural design. He obviously has a great love for the Irish landscape and what elements make up such landscape; the stones, rocks and the rain! Liam McCormick manages to invoke an emotional reaction from those who experience his church. In some respects its seems like he is playing God with architecture. People respond emotionally to his buildings, which is the rarest and highest praise any architect can receive.[3] It is clear McCormick was a collector of ideas. He studied and visited European works, it was the backbone of his modern approach to design; he was enlightened with architectural ideas and solution from abroad.[4] He then brought this forward thinking approach to Ireland within his church designs. His process of originality and thinking is what created the architecture that Liam McCormick produced, and what sets it aside from other architecture, in particular the tradition of Hand-me-down church architecture in Ireland.[5] Although many of his ideas where of original nature, he took great influence from other architects and allowed some of their ideologies and design principles to influence his own work. Corbusier, Gropius and Alvar Aalto were among McCormicks stated influences. He particularly admired Aaltos sense of scale, location and economy.[6] McCormicks architecture can be seen as somewhat a conversion to Functionalism.[7] His buildings are not only functional for the job they are intended for but also embrace an organic architecture that can be compared to ideologies of Alvar Aalto. To everything its proper place, a setting dictated by its owns demands, its own aesthetic. And everything should be connected with the community served by the town [8](Aalto 1924:20). In Aaltos own words: Nothing does a town greater honor than a well-developed public life and functional public places [9](Aalto 1924: 20). Both Alvar Aalto and Liam McCormick share the unprecedented idea that society lives and survives by the architecture that is created. In Aaltos article the Humanizing of Architecture[10] he examines how human beings react to forms and construction. McCormick also believes in creating architecture that pulls on the emotions of the occupant, just as Aalto designed The Paimio Sanatorium, he tried to emphasise the environmental qualities of where his architecture was to reside. Also like Alvar Aalto, McCormick believed in a total work of art, creating a picture as a whole, he was a great believer in incorporating art within his buildings and this is notably present at Burt, with prominent Irish artwork included. Even though McCormick took influence from other Architects, this did not make his work any less original. The concept that being influenced by a person or piece of work can lead to either imitation or a piece of work that to some extent can be taken to a different level. This is debated prominently in the Anxiety of Influence, of how influence doesnt necessarily have to be a bad thing nor does it mean that the subsequent piece of work will be better for it. But poetic influence need not make poets less original; as often it makes them more original, though not therefore necessarily better.[11] McCormick has not only managed to create an original piece of Irish church architecture but has also managed to avoid the pressure of influence, which could have made him imitate previous architects work. As a result he has created a lasting piece of modern architecture that has added value not only to its landscape but also the local society. The design of Burt Church actually helps enhance the religious message in which the church bestows on to its patrons. In conclusion, even the most creative of people whether they are architects or artists, all take influence from others work. In some respects, it is a degree of respect/admiration of previous work, in others it is simply a way to generate further ideas or take an idea further than before. McCormick certainly has done this with Burt Church, with his clever use of material and form to blend the church with the surrounding landscape but yet give a hint of pleasure and intrigue which the use of the sculptured roof alludes to. He has managed to not only create a radical new Irish church architecture but has developed ideas from others such as Alvar Aalto, in order to create a complete masterpiece of work. Bloom, Harold, The anxiety of influence: a theory of poetry, New York; Oxford: Oxford University Press, c1997 Larmour, Paul, and Shane Toole. North by northwest: the life and work of Liam McCormick. Dublin: Gandon Editions for Irish Architecture Foundation [and] Irish Architectural Archive, 2008. Pollard, Carole, and Liam McCormick. Liam McCormick: Seven Donegal churches. Co. Cork: Gandon Editions, 2011. Websites http://archiseek.com/2009/1967-st-aengus-church-burt-co-donegal/ Accessed December 12th 2016 http://www.culturenorthernireland.org/features/heritage/liam-mccormick Accessed December 12th 2016 The Functionalist Awakening of Alvar Aalto, Alvar Aalto Museum http://www.alvaraaltoresearch.fi/files/4213/6033/3603/AAM_RN_Quecedo.pdf Accessed December 12th 2016 http://archistory.korea.ac.kr/archive_110919/Articles/09%20Aalto_and_Humanizing_(JAABE_200905).pdf Accessed December 12th 2016 List of Illustrations Fig 1 Photograph: St Aengus, Burt http://www.inchhouse.com/reviews Accessed December 12th 2016. Fig 2 Photograph: Church approach from roadway and car park. St Aengus, Burt. http://imma.gallery-access.com/intl/en/tour.php?a_id=12Accessed December 12th 2016. Fig 3 Plan: St Aengus, Burt Pollard, Carole, and Liam McCormick. Liam McCormick: Seven Donegal churches. Burt: Gandon Editions, 2011. Fig 4 Photograph: Detail of circular pool and rainwater spout. St Aengus, Burt. https://herdesignjournal.wordpress.com/2013/08/06/st-aengus-burt-chapel-by-liam-mccormick/ Accessed December 12th 2016 [1] Paul Larmour, An Architectural life North by Northwest, (Gandon Editions, 2008) P.49. Taken from RIAI Yearbook 1972 (RIAI Dublin), P.23 [2] Paul Larmour, An Architectural life North by Northwest, (Gandon Editions, 2008) P.49. Taken from RIAI Yearbook 1972 (RIAI Dublin), P.23 [3] http://archiseek.com/2009/1967-st-aengus-church-burt-co-donegal/ Accessed December 12th 2016 [4] Tracy recalls McCormicks use of literature and magazines. with his almost encyclopaedic mind. Referencing, the architectural review, Domus, LArchitecture dAujourdhui, Architectural record, Bouw and werk. Joe Tracy, Forty Years with Liam North by Northwest, (Gandon Editions, 2008) P.220 [5] McCormick describing the tradition of hand me down copies of transitory fashion comparing Ireland to the vernacular traditions of Finland by Aalto. Liam McCormick, remembrance of things present North by Northwest, (Gandon Editions, 2008) P.18 [6] http://www.culturenorthernireland.org/features/heritage/liam-mccormick Accessed December 12th 2016 [7] The Functionalist Awakening of Alvar Aalto, Alvar Aalto Museum http://www.alvaraaltoresearch.fi/files/4213/6033/3603/AAM_RN_Quecedo.pdf Accessed December 12th 2016 [8] IBID [9] IBID [10] http://archistory.korea.ac.kr/archive_110919/Articles/09%20Aalto_and_Humanizing_(JAABE_200905).pdf Accessed December 12th 2016 [11] Harold Bloom, The anxiety of influence: a theory of poetry, New York; Oxford: Oxford University Press, c1997, P. Introduction 7.

Benjamin Harrison :: essays research papers

President Harrison's single term fell between the two terms of Grover Cleveland, a Democrat. Cleveland was popular with the people but unpopular with political leaders. Harrison was popular with neither. There was indeed something of a mystery in his being elected at all. He was serious and dignified, not a hand-shaking politician and not a leader of men. On July 1, 1862, Lincoln called for more troops. Harrison went to the governor, who asked him to recruit a regiment. On his way back to his office, he bought a military cap and hired a fifer and a drummer. Then he put a flag out of his office window and began recruiting. When the regiment was complete, the governor commissioned him a colonel, and Harrison set off with his troops. By day he drilled his men; at night he studied tactics. Always he looked after his soldiers' needs. They called him Little Ben. General Harrison went back to his work at the Supreme Court and his law practice. He also took over again his large Bible class in the Presbyterian church, where his wife taught Sunday school. In 1876 Harrison ran for governor of Indiana. The Democrats called him "cold as an iceberg" and nicknamed him Kid-Glove Harrison. The Democratic candidate, nicknamed Blue Jeans, won the election. Four years later the Indiana legislature elected Harrison to the United States Senate. He served from 1881 to 1887 and won the good will of veterans by supporting the many private pension bills that came to him. Great was the confusion in the Republican nominating convention of 1888. Senator James G. Blaine, the leader of the party, had been defeated by Cleveland in 1884 and refused to run against him again. The field was therefore open. Harrison was finally nominated with Blaine's support. Levi P. Morton, a New York banker, was named for vice-president. Harrison kept aloof from Congress and left lawmaking to its leaders. First on his list was the Dependent Pension Act. This provided money for Civil War veterans who had a disability, no matter where or when they got it. Extravagant appropriations were made also for the Navy and for rivers and harbors. The 51st Congress was the first to spend a billion dollars in peacetime.

Free Essays - No Innocence in Catcher in the Rye :: Catcher Rye Essays

No Innocence in Catcher in the Rye Probably the greatest irony of the novel is the fact that, despite his love of "childhood innocence," Holden is and acts far from innocent himself. In fact, he is its antithesis. He acts that way for many reasons. First of all, he has so many responsibilities. Second, he never fits in with the crowd, and finally, he never gets any real help for the problems that he deals with. Holden does have a love for "childhood innocence" as seen across the book. For example, on page two hundred and one "Somebody'd written ' Fuck you' on the wall. It drove me damn near crazy. I thought how Phoebe and all the other little kids would see it, and how they'd wonder what the hell it meant, and then finally some dirty kid would tell them-cockeyed naturally- what it meant, and how they'd all think about it and maybe even worry about it for a couple of days. I kept wanting to kill whoever'd written it... But I rubbed it [The 'fuck you' written on the wall] out anyway." Another example is on page two hundred and eight, "'So shut up.' It was the first time she [Phoebe] ever told me to shut up. It sounded terrible. God, it sounded terrible. It sounded worse than swearing." There is one more outstanding quotation from the novel which is found on page two hundred and thirteen. "I felt so damn happy all of a sudden, the way old Phoebe was going around and around [the carousel]." All these examples clearly show that Holden appreciated "childhood innocence" to a great extent. Yet Holden acts the opposite. The irony in this novel is Holden's behavior, which is far from being innocent. He smokes, drinks, always depressed, thinks about suicide, thinks about going embarking to a far place, and has people tell and act in many weird ways. There are three main reasons why he acts this way. Firstly, Holden being only sixteen years of age already has so much responsibility. He has to get money for food and travel. When he travels he has to make sure he doesn't get lost, and actually gets there. He has to make sure that he doesn't flunk school.